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[JazzPLanet] Gerry Mulligan - California Concerts Vol 1 & 2 [Eac-Flac-Cue]

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[size=6]Gerry Mulligan[/size]
[size=5]California Concert (1988)(2 CD's)[/size]





  







[color=red]Artist:[/color] Gerry Mulligan
[color=red]Title Of Album:[/color] California Concert (1988)
[color=red]Category:[/color] Jazz
[color=red]Label:[/color] Pacific
[color=red]Year:[/color] 1988
[color=red]Recorded:[/color] CD 1: recorded live at Stockton High School on November 12 1954
                CD 2:recorded live at Hoover High School on December 14 1954

[color=red]Extractor:[/color] EAC 0.99 prebeta 5
[color=red]Read mode[/color]               : Secure
[color=red]Utilize accurate stream[/color] : Yes
[color=red]Defeat audio cache[/color]      : Yes
[color=red]Make use of C2 pointers[/color] : No

[color=red]Artwork:[/color] Included

Single File.flac, Noncompliant
Eac.log, File.cue
Size Torrent: 642 Mb





[color=red]CD 1[/color]
1. Blues Going Up notes
2. Little Girl Blue
3. Piano Blues
4. Yardbird Suite
5. Blues For Tiny
6. Soft Shoe
7. Makin' Whoopee
8. Darn That Dream
9. Ontet
10. A Bark For Barksdale

[color=red]CD 2[/color]
1. Makin' Whoopee
2. Nights At The Turntable
3. Blues For Tiny
4. Frenesi
5. Limelite
6. People Will Say we're In Love
7. Western Union
8. I Know, Don't Know Why notes
9. Red Door
10. Polka Dots And Moon Beams
11. I'll Remember April - Choice
12. There Will Never Be Another You
13. It Don't Mean A Thing
14. Ellington Medley [/td][/table]





CD 1: Gerry Mulligan:sax bariton, trumpet: Jon Eardley, bass: Red Mitchell, drummer: Chico Hamilton.

CD 2: Gerry Mulligan:sax bariton, trumpet: Jon Eardley, bass: Red Mitchell, drummer: Chico Hamilton. Plus two guests:
valve trombonist Bob Brookmeyer and tenor-saxophonist Zoot Sims)




Gerald Joseph "Gerry" Mulligan (April 6, 1927 – January 20, 1996) was an American jazz saxophonist, clarinetist,
composer and arranger.[1]

Though Mulligan is primarily known as one of the leading baritone saxophonists in jazz history - playing the instrument
with a light and airy tone in the era of cool jazz - he was also a notable arranger, working with Claude Thornhill,
Miles Davis, Stan Kenton, and others. Mulligan's pianoless quartet of the early 1950s with trumpeter Chet Baker is still
regarded as one of the more important cool jazz groups. Mulligan was also a skilled pianist and played several other
reed instruments.

Gerry Mulligan was born in Queens Village, Queens, New York, the son of George and Louise Mulligan. George Mulligan was
a Wilmington, Delaware native of Irish descent. Louise Mulligan was a Philadelphia native of half Irish and half German
descent. Gerry was the last of four sons: George, Phil, Don and Gerry.

George Mulligan's career as an engineer necessitated frequent moves through numerous cities. When Gerry Mulligan was
less than a year old, the family moved to Marion, Ohio, where his father accepted a job with the Marion Power Shovel
Company.

With the demands of a large home and four young boys to raise, Mulligan's mother hired an African-American nanny named
Lily Rose, who became especially fond of the youngest Mulligan. As he became older, Mulligan began spending time at
Rose's house and was especially amused by Rose's player piano, which Mulligan later recalled as having rolls by numerous
players, including Fats Waller. Black musicians sometimes came through town, and because many motels wouldn't take them,
they often had to stay at homes within the black community. The young Mulligan occasionally met such musicians staying
at Rose's home.

The family's moves continued with stops in southern New Jersey (where Mulligan lived with his maternal grandmother),
Chicago, Illinois and Kalamazoo, Michigan, where Mulligan lived for three years and attended Catholic school. When the
school moved into a new building and established music courses, Mulligan decided to play clarinet in the school's
nascent orchestra. Mulligan made an attempt at arranging with the Richard Rodgers song "Lover", but the arrangement was
seized prior to its first reading by an overzealous nun who was taken aback by the title on the arrangement.

When Gerry Mulligan was 14, his family moved to Detroit and then to Reading, Pennsylvania (an hour and a half north of
Philadelphia). While in Reading, Mulligan began studying clarinet with Sammy Correnti, who also encouraged Mulligan's
interest in arranging. Mulligan also began playing saxophone professionally in Philadelphia dance bands.

The Mulligan family next moved to Philadelphia, where Gerry attended the West Philadelphia Catholic High School for Boys
and organized a school big band, for which he also wrote arrangements. When Mulligan was sixteen, he approached Johnny
Warrington at local radio station WCAU about writing arrangements for the station's house band. Warrington was impressed
and began buying Mulligan's arrangements.

Mulligan dropped out of high school during his senior year to pursue work with a touring band. Mulligan contacted band
leader Tommy Tucker when Tucker was visiting Philadelphia's Earle Theatre. While Tucker did not need an additional
reedman, he was looking for an arranger and Mulligan was hired at $100 a week to do two or three arrangements a week
(including all copying). At the conclusion of Mulligan's three-month contract, Tucker told Mulligan that he should move
on to another band that was a little less "tame". Mulligan went back to Philadelphia and began writing for Elliot
Lawrence, a pianist and composer who had taken over for Warrington as the band leader at WCAU.

Mulligan moved to New York City in January 1946 and joined the arranging staff on Gene Krupa's bop-tinged band. Notable
arrangements of Mulligan's work with Krupa include "Birdhouse", "Disc Jockey Jump" and an arrangement of "How High the
Moon" that quoted Charlie Parker's "Ornithology" as a countermelody.

Mulligan next began arranging for the Claude Thornhill Orchestra, occasionally sitting in as a member of the reed
section. Thornhill's arranging staff included Gil Evans, whom Mulligan had met while working with the Krupa band.
Mulligan eventually began living with Evans, at the time that Evans' apartment on West 55th Street became a regular
hangout for a number of jazz musicians working on creating a new jazz idiom








Review by Scott Yanow
This CD documents a concert by Gerry Mulligan's Quartet when the baritonist's group featured trumpeter Jon Eardley,
bassist Red Mitchell and drummer Chico Hamilton. Half of these ten selections were either previously unissued or only
available as part of obscure samplers. The music, comprised of standards, some blues and a few Mulligan originals, is
quite enjoyable, swinging lightly and with plenty of interplay between the horns.
The second of two CDs in this series mostly consists of previously unissued material taken from a high school concert
featuring the Gerry Mulligan Quartet (which at the time featured trumpeter Jon Eardley) plus two guests (valve
trombonist Bob Brookmeyer and tenor-saxophonist Zoot Sims). This swinging and often-witty cool bop music is quite
enjoyable and highly recommended.
Recording date: Nov 12, 1954 - Dec 14, 1954




CD 1
[code]EAC extraction logfile from 9. March 2007, 1:13 for CD
Gerry Mulligan / California Concerts - Volume 1

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Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Installed external ASPI interface


Track 1
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Track 2
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Track 3
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Track 4
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Track 5
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Track 6
Filename D:FiammaGerry Mulligan - California Concerts Vol 1 (1988) [FLAC] {Reissue}6 - Soft Shoe.wav

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Track 7
Filename D:FiammaGerry Mulligan - California Concerts Vol 1 (1988) [FLAC] {Reissue}7 - Making Whoopee.wav

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Track 8
Filename D:FiammaGerry Mulligan - California Concerts Vol 1 (1988) [FLAC] {Reissue}8 - Darn That Dream.wav

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Track 9
Filename D:FiammaGerry Mulligan - California Concerts Vol 1 (1988) [FLAC] {Reissue}9 - Ontet.wav

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Track 10
Filename D:FiammaGerry Mulligan - California Concerts Vol 1 (1988) [FLAC] {Reissue}10 - A Bark For Barksdale.wav

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No errors occured


End of status report[/code]





[color=red][size=4]Thanks to: elcom[/size][/color]

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